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Browse the latest Adobe Animate tutorials, video tutorials, hands-on projects, and more. Ranging from beginner to advanced, these tutorials provide basics, new features, plus tips and techniques. Free Trial; Buy now Animate tutorials. Search. View all Animate tutorials. A new age for animation Learn the basics, or refine your skills with. Blobmaker is a free generative design tool made with �� by z creative labs, to help you quickly create random, unique, and organic-looking SVG shapes. Toptal CSS3 Generator: A free online tool for quickly generating CSS3 snippets, such as . Dec 20,  · How to use sound in Adobe Animate; Exporting SVG files; Create video files for use in Animate; How to add a video in Animate; Working with video cue points; Draw and create objects with Animate; Reshape lines and shapes; Strokes, fills, and gradients with Animate CC; Working with Adobe Premiere Pro and After Effects; Color Panels in Animate CC.
 
 

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Classic tweens are an older way of creating animation in Animate. These tweens are similar to the newer motion tweens , but are more complicated to create and less flexible.

However, classic tweens do provide some types of control over animation that motion tweens do not. Most users choose to work with the newer motion tweens, but some users still want to use classic tweens. For more information about the differences, see Differences between motion tweens and classic tweens. Classic tweens are the older way of creating tweened animation in Animate.

The newer, easier way is to use motion tweens. See Motion tween animation. For samples of classic tween animation, see the Animate Samples page at www. The following samples are available:.

Like most things in Animate, animation does not require any ActionScript. However, you can create animation with ActionScript if you choose. Changes in a classic tween animation are defined in a keyframe. In tweened animation, you define keyframes at significant points in the animation and Animate creates the contents of frames between.

The interpolated frames of a tweened animation appear as light blue with an arrow drawn between keyframes. Because Animate documents save the shapes in each keyframe, create keyframes only at those points in the artwork where something changes.

Keyframes are indicated in the Timeline. A solid circle represents a keyframe with content on it, and an empty circle before the frame represents an empty keyframe. Subsequent frames added to the same layer have the same content as the keyframe. Only keyframes are editable in a classic tween. To edit tweened frames, change one of the defining keyframes or insert a new keyframe between the beginning and ending keyframes.

Drag items from the Library panel onto the Stage to add the items to the current keyframe. To display and edit more than one frame at a time, see Use onion skinning. This feature is about creating keyframes for the older classic tweens. For more information on property keyframes for the newer motion tweens, see Create tween animation. Select Insert Keyframe. Select Insert Blank Keyframe. Surrounding frames remain unchanged. To move a keyframe or frame sequence and its contents, select it and drag to the desired location.

To paste and replace the exact number of copied frames on the target timeline, use the Paste and Overwrite Frames option. The cleared keyframe and all frames up to the subsequent keyframe are replaced with the contents of the frame preceding the cleared keyframe.

To add a library item to the current keyframe, drag the item from the Library panel onto the Stage. Keyframes must be at the beginning and end of the sequence. This feature is about creating older classic tweens. For more information on creating the newer motion tweens, see Create tween animation.

To tween the changes in properties of instances, groups, and type, you can use a classic tween. Animate can tween position, size, rotation, and skew of instances, groups, and type. Also, Animate can tween the color of instances and type, creating gradual color shifts or making an instance fade in or out.

Before tweening the color of groups or type, make them into symbols. Before animating individual characters in a block of text separately, place each character in a separate text block. If you apply a classic tween, and change the number of frames between the two keyframes, Animate automatically tweens the frames again. Or, if you move the group or symbol in either keyframe, Animate automatically tweens the frames again.

To make a layer as an active layer, click a layer name and select an empty keyframe in the layer, to start. This frame is the first frame of the classic tween. Create a graphic object with the Pen, Oval, Rectangle, Pencil, or Brush tool, and then convert it to a symbol. To create a tween, you must have only one item on the layer. To tween the color of elements other than instances or text blocks, use shape tweening. If you created a graphic object in step 2, Animate automatically converts the object to a symbol and names it tween1.

To tween the size of the selected item, select scale in the tweening section of the Property inspector. As a prerequisite, you modify the size of the item in step 4. To produce a more realistic sense of motion, apply easing to the classic tween. To apply easing to a classic tween, use the Ease field in the Tweening section of the Property inspector. Use the Custom Ease dialog box to more precisely control the speed of the classic tween.

To adjust the rate of change between tweened frames, drag the value in the Easing field or enter a value. To begin the classic tween rapidly and decelerate the tween toward the end of the animation, enter a positive value from 1 through It opens the Custom Ease dialog box.

By default, the rate of change between tweened frames is constant. Easing creates a more natural appearance of acceleration or deceleration by gradually adjusting the rate of change. To rotate the object as indicated, and then enter a number to specify the number of rotations, select Clockwise CW or Counterclockwise CCW. The rotation in step 8 is in addition to any rotation you applied to the ending frame in step 4. To sync up the animation of graphic symbol instances with the main timeline, select the Sync option in the Property inspector.

Synchronize Symbols and the sync option both recalculate the number of frames in a tween to match the number of frames allotted to it. Use the Sync option if the frames in an animation sequence are not an even multiple of the number of frames in the graphic instance.

Characters come alive through Classic Tweening. Want to spell life to your animations? Watch the tutorial at the end of this example and follow these steps:. Natively, Animate allows you to apply the following commands on any Classic Tween:. The Motion properties are copied to the clipboard as XML data. You can then use any text editor to work on the XML file. Allows you to export Motion properties applied to any object on the stage to an XML file that can be saved.

On the Paste Motion Special dialog box, select the properties that you want to apply on the selected object. To control the movement of objects in a classic tween animation, create a motion guide layer. You cannot drag a motion tween layer or inverse kinematics pose layer onto a guide layer. Drag a normal layer onto a guide layer. This action converts the guide layer to a motion guide layer and links the normal layer to the new motion guide layer.

To prevent accidentally converting a guide layer, place all guide layers at the bottom of the layer order. This feature is about working with older classic tweens. For more information on using the newer motion tweens with motion paths, see Edit the motion path of a tween animation. Motion guide layers let you draw paths along which tweened instances, groups, or text blocks can be animated.

You can link multiple layers to a motion guide layer to have multiple objects follow the same path. A normal layer that is linked to a motion guide layer becomes a guided layer. If you select Orient To Path in the Property inspector, the baseline of the tweened element orients to the motion path. If you select Snap, the registration point of the tweened element snaps to the motion path.

Animate adds a motion guide layer above the classic tween layer and indents the name of the classic tween layer. It represents that classic tween layer is bound to the motion guide layer. If you already have a guide layer in the timeline, you can drag a layer containing the classic tween below the guide layer. This action converts the guide layer to a motion guide and binds the classic tween to it.

To add a path to the motion guide layer, select the motion guide layer and use Pen, Pencil, Line, Circle, Rectangle, or Brush tool. Drag the object you are tweening, to snap it to the beginning of first frame or to the end of the last frame. For best snapping results, drag the symbol by its transformation point. To hide the motion guide layer and the path click in the eye icon column on the motion guide layer. To know more about animation guide based on variable width stroke and variable stroke color, see Animation Guide.

Drag an existing layer below the motion guide layer. The layer is indented under the motion guide layer. All objects on this layer automatically snap to the motion path. Create a layer under the motion guide layer. Objects you tween on this layer are automatically tweened along the motion path. Select a layer below a motion guide layer. This feature is about pasting properties of older classic tweens.

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